Saturday, May 18, 2013

Teaadora Nikolova Singing a Cover


           Matthew Donovan, when he sings a certain song on the stage of a pizza restaurant, expresses a pain I have since I was very young. I have not been able to express the pain myself in any scratching way. I have not been able to write the pain or read the pain away. The pain was not under the covers of any Beethoven symphony. The pain was not Tupac Shakur with his shirt off and abdominal muscles flexed. The pain was not any of the shoes I bought with my best friend in high school. Also, I should not be speaking about the pain in the past tense, that is, I should not be saying the pain “was.” Because the pain surely “is” at least as much as it ever “was.” So, to be clear, when Matthew Donovan sings the second to last song of his set last night at a pizza restaurant, he expresses a pain that is and was in a way I have not yet.
            He is the long and far away from the microphone shriek, and in that is the very pain. He doubles over to vomit out the high pitch. He vomits up the water from the disturbed bigot man before the song and wipes it up with his canvas shoes. There is a long white cord draping in loops towards a sound amplifier and a clamp at the end of a guitar that bites on wood and metal. All of this is in the creases of Matthew’s mouth when he shrieks, and I am not the help to him. He is the deep and heart-arrowed help to me on his t-shirt. Later, I will carry the sound amplifier to the back of a long car. I will touch Matthew on the shoulders and spine and distressed neck curl across a forehead. There will be a twinge burning in my bicep and right hip that Matthew predicted near a curb and a small public shrub.
            Back to the deep and more meaningful pain. It involves the amnesia of my mother’s ovaries and how they forgot and forgot. Also, the gonads of several other important relatives that forgot along the way (namely, my father and the significant parts of him.) Their combined memories, all of them, fit on the recipe cards my mother used to document her famous summer salad. There are ramen noodles, slivered almonds, vinegar, chopped cabbage, and a handful of black pepper on the index cards with lines. The cards fit into a box covered in strawberry stems. The entire box was over the old microwave and once told me to take a liquid of ulcer medication before I was allowed to play in the backyard. I took the cherry medicine and the box touched my back in the way to tell me to go outside and run. My stomach and the lining of my stomach could be forgotten about for that afternoon, along with the parts of my brain that miscalculated the release of stomach acid and that regulated stomach lining depth. These parts of my brain were never considered in the first place or typed into the small bank calculator my mother used to balance her checkbook in the first place.
            All of the gonads’ forgetfulness led to the worse and worse. Also, there was a forgetfulness especially in its cold quiet near the basement door. Near the special installed desk with cheap bleeding porous wood. Not one of us, to this day, knows who installed the desk or how it was paid for. It was not there one day on the white and specked carpet. And it was there one day on the white and specked carpet to where my father kept a manuscript of a book he wrote about me drinking Kool-Aid and there being fresh cut grass in the background. Above the desk lamp was a window that led to the backyard where the dachshund used to shit in the rocks. The window opened up to the level of the rocks and the small pebbles of shit. On evenings, my mother and father sat on the desk with their shoes off and swung their legs and feet above the carpet to forget little things about how we felt. Sometimes their feet scratched the carpet in a sound that meant it was all happening and could not be completely forgotten in the way sounds are permanent things to point at. I heard that sound from my room where I was a crying witness to it. I remember the sound and I keep it in my fists.
            Matthew Donovan shrieks the sounds out of my fists. Out of my fists and into a tile floor and the pain pinched across my face. In a way I twisted the pain into the strands of my beard. My beard was long at the base of my neck because of him and people noticed my beard after the police left. I talked about my beard into the windshield of the long car. I mentioned Matthew in the front seat of the long car and everyone of her understood and said the word “gentle.” We didn’t argue about the meaning of the word gentle and agreed it was not the pain so much. It was about the pain so much. I held the gentle instead in my fists and noticed the missing long car mirrors. 

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